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“Hiromi’s keyboard dexterity is, for lack of a better term, awe-inspiring. She is in and out like a downhill racer, lost in the music and the moment. Percussive, personal.”
—Village Voice
Hiromi creates an instantly recognizable style with a dense flurry of notes and chords that recalls Art Tatum and her mentor, Ahmad Jamal. Hiromi’s vision of jazz is unique without being willfully strange, and her solo performances draw inspiration from sources as diverse as Bach, Oscar Peterson, Franz Liszt, and Sly and the Family Stone. With a distinctly postmodern sensibility that gleefully juxtaposes wildly disparate musical elements and infuses them with a joyful spirit, Hiromi’s playing “flows like water and demonstrates classical chops harnessed to a fierce energy” (Philadelphia Inquirer).
Funded in part by the
Flynn Center Jazz Endowment, created thanks to community contributions and a challenge grant from the Doris Duke Charitable Foundation; by the
Vermont Arts Council and the
National Endowment for the Arts; by the
Freeman Foundation Fund of the Vermont Community Foundation; and by the
Chamber Music America/Doris Duke Charitable Foundation.
The Flynn acknowledges critical
National Endowment for the Arts Recovery Act artist residency and staff support.
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