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“Visual poetry. Poetic, bathetic, punning, and perverse… a rough jumble of wonderment.” —New York Times
In these two original theater pieces based on World War II and the Holocaust, Double Edge Theatre performs their visionary brand of dramatic expression. The Disappearance honors Holocaust survivor Maarten Soetendrop, a Belgian actor in post-war Europe whose psychological unravelling and mysterious kidnapping awaken his community to lingering post-war anti-Semitism. A haunting work with a stunning set, this show features a play-within-a-play version of Shakespeare’s The Merchant of Venice. Republic of Dreams, conceived and directed by Artistic Director Stacy Klein, explores the writings, art, and life of Polish-Jewish artist Bruno Schulz, culminating in his senseless death at the hands of a jealous Nazi. It is performed in Double Edge’s signature style, incorporating text, movement, large props, puppets, and surreal changes of scene.
Between the two plays, Double Edge Theatre Artistic Director Stacy Klein
will give a talk in Hoehl Studio about the life of noted Jewish author Bruno
Schulz, and the impetus behind the creation of The Republic of Dreams. The talk
involves issues of cultural identity.
Funded in part by support from the
NPN Performance Residency Program. Major contributors of NPN include the Doris Duke Charitable Foundation, Ford Foundation, the National Endowment for the Arts (a federal agency), the MetLife Foundation and the Nathan Cummings Foundation. Funded in part by the
Vermont Arts Council and the
National Endowment for the Arts; and by the
Flynn General Endowment. The General Endowment received challenge grants from the Ford Foundation New Directions/New Donors program and the Argosy Foundation which were matched by generous support from the community.

The Flynn acknowledges critical
National Endowment for the Arts Recovery Act artist residency and staff support.
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