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Bitches Brew Revisited

Burlington Discover Jazz Festival presents

Bitches Brew Revisited Also, Yousay Placate

Flynn MainStage

  • Friday, June 3, 2011, 8:00 PM

$15, $29, $35, $43

“[What] Miles Davis intended…spacious, black-magic stealth funk."
The New York Times

Exciting news! Bitches Brew Revisited is one of four of the 2011 Burlington Discover Jazz Festival performances that will go on sale to the general public on March 28. Sign up to become a Friend of Discover Jazz (at Messenger Level and above) by March 23 and get advance tickets for these shows starting on March 24.

On April 13 the Burlington Discover Jazz Festival will announce the complete lineup and all tickets will go on sale. Sign up to become a Friend of Discover Jazz (at Messenger Level and above) by April 7 and get advance tickets for every Festival show starting on April 8!

Graham Haynes, cornet; Vernon Reid, guitar; Marco Benevento, keyboards; DJ Logic, turntables/samples; Antoine Roney, clarinet, saxophones; Melvin Gibbs, bass; Adam Rudolph, percussion; Pheeroan akLaff, drums

A stunning cast of acclaimed musicians reveals the epic legacy of Miles Davis’ landmark album on the 40th anniversary of its release. Bitches Brew, Davis’ pioneering work with electronic music, was, in 1970, an augur of jazz’s cross-genre evolution and is, today, hailed by some audiophiles as the greatest jazz and rock album ever made. A who’s who of jazz, hip–hop and rock artists pack the stage, led by cornetist Graham Haynes, a major force in contemporary electronic and world music. The inimitable Marco Benevento employs pedals, amplifiers, circuit bent toys and sundry effects around his acoustic piano set-up. The revered innovator DJ Logic, pioneering guitarist Vernon Reid (erstwhile leader of multiplatinum rock band Living Colour), cross cultural percussionist Adam Rudolph, in-demand saxophonist and clarinetist Antoine Roney and Melvin Gibbs, “the best bassist in the world” (Time Out New York), all conspire to create a supernatural night that will leave devotees, skeptics and neophytes charmed and reeling, happily, back into the future of jazz.



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